In a sea of genre-blurring artists pushing the boundaries of post-punk, UK-based band Squid has emerged as one of the most captivating, genre-defying acts of the last decade. Known for their unpredictable soundscapes, frenetic energy, and thought-provoking lyrics, Squid has garnered a reputation for delivering music that’s as thrilling as it is challenging. With a sound that marries the raw urgency of punk with experimental twists, touches of jazz, and pulsing electronic rhythms, Squid isn’t content with adhering to a single style—they’re here to expand the boundaries of what a band can be.
Formed in Brighton in the late 2010s, Squid quickly rose to prominence thanks to a magnetic blend of live intensity and unfiltered originality that resonated with an audience hungry for fresh ideas in guitar music. Their sonic palette often feels like a controlled chaos, oscillating between infectious grooves and moments of discordant frenzy. At the center of it all is Ollie Judge, the band’s drummer and lead vocalist, whose spoken-word-style delivery has become a signature, lending a jarring, almost manic presence that matches the band’s surreal lyrics.
Background
Early Life
The roots of Squid trace back to the members’ university years and a shared creative hunger that would ultimately lead them to challenge the conventional post-punk scene. The band’s core members—Ollie Judge (drums/vocals), Louis Borlase (guitar), Anton Pearson (guitar), Arthur Leadbetter (keyboards), and Laurie Nankivell (bass/trumpet)—found each other while studying in Brighton, a city with a rich tradition of nurturing boundary-pushing musicians. This setting was fertile ground for experimentation, and the members quickly discovered a common vision: to create music that could push beyond the limitations of genre.
The members of Squid each brought a unique background to the table, a blend of musical and cultural influences that would fuel their creativity. Judge, the band’s unmistakable vocalist and drummer, had been fascinated by rhythm from a young age, drawn to the visceral energy of punk but also enamored by jazz’s intricate rhythmic complexity. Leadbetter’s interest in classical music, particularly the minimalist composers like Steve Reich and Philip Glass, added an unexpected texture to Squid’s sound, as did Nankivell’s background in jazz trumpet. This eclectic mix of musical backgrounds would become a vital part of the band’s appeal, allowing them to draw from a wide array of sounds and styles.
Musical Beginnings
The early days of Squid were marked by a relentless DIY spirit and a shared dedication to experimentation. The band officially formed in 2017, and their first performances in Brighton’s vibrant indie scene were characterized by their intensity and improvisational flair. At first, Squid approached music more as a jam-oriented experience than a traditional band, often crafting songs that felt more like extended meditations than straightforward compositions.
This process-heavy approach was essential to Squid’s evolution, allowing them to hone a style that thrived on spontaneity. Their debut single, “Perfect Teeth,” released in 2017, was a glimpse into their early, raw sound—a mix of pulsing rhythms and urgent, stream-of-consciousness vocals that hinted at the ambitious, shape-shifting style that would define their future work. Early gigs saw them building a reputation as a live force, with Ollie Judge’s charged, almost incantatory vocal delivery and the band’s tight but unpredictable instrumentation quickly setting them apart in the Brighton scene.
Artistic Influences
Squid’s sound is as diverse as the artists they count as influences. The band frequently cites the motorik rhythms of krautrock pioneers like Can and Neu!, whose relentless, hypnotic beats have found their way into the backbone of Squid’s own percussive style. Likewise, post-punk and art-rock legends like Talking Heads and Television played a pivotal role, inspiring Squid’s fusion of danceable grooves with pointed social commentary. Sonic Youth’s boundary-pushing approach to guitar work and the aggressive textures of British punk also make their presence felt, lending Squid’s music a balance of melody and dissonance.
Beyond rock influences, Squid draws heavily from jazz, particularly from artists like Miles Davis and Charles Mingus, who introduced the band to the idea of improvisation as a guiding force. This sense of controlled chaos—rooted in jazz, yet carried forward by modern experimentation—sets Squid apart from many of their contemporaries. Even minimalist composers like Steve Reich and experimental electronic artists like Aphex Twin have subtly shaped their style, encouraging Squid to embrace repetition, dissonance, and unpredictability.
Album Overview
1. Town Centre (2019)
Town Centre, Squid’s debut EP, arrived with a bold, avant-garde approach that put the band firmly on the map. Released on Dan Carey’s Speedy Wunderground label, the EP captured the band’s live energy and boundary-pushing sensibilities. Tracks like “The Cleaner” and “Match Bet” showcased the band’s signature mix of motorik rhythms, unpredictable song structures, and frenetic spoken-word vocals. “The Cleaner,” with its repetitive groove and sprawling seven-minute length, became a breakthrough single, demonstrating Squid’s knack for building tension and releasing it in unexpected ways. This EP established Squid as one of the most intriguing acts in post-punk, with a raw sound that blended art-punk chaos with moments of striking clarity.
2. Bright Green Field (2021)
Bright Green Field, Squid’s first full-length album, cemented their reputation as musical innovators. Produced once again by Dan Carey, the album took the band’s experimental inclinations to new heights, with sprawling compositions that explored themes of urban alienation, dystopian technology, and existential dread. Tracks like “Narrator,” an eight-minute journey through disorienting soundscapes and clashing vocal lines, became a defining piece of the album, exploring ideas of surveillance and identity. The album’s opening track, “Resolution Square,” set an eerie tone with ambient noises and distorted samples, creating an atmosphere that felt both oppressive and thrilling.
Bright Green Field received widespread critical acclaim, with many reviewers noting its unique blend of intensity, surrealism, and lyrical depth. Squid leaned heavily into the use of unusual instruments, with brass, synths, and modular electronics giving the album a textured, layered feel. Songs like “Paddling” and “Global Groove” were both catchy and complex, juxtaposing irresistible rhythms with heavy thematic content. The album solidified Squid’s reputation as more than just a post-punk act, positioning them as true boundary-pushers in the modern music landscape.
3. O Monolith (2023)
With O Monolith, Squid took their experimental ethos to even deeper and more atmospheric territory. In this sophomore album, the band expanded on the dystopian themes of Bright Green Field, diving into questions of climate change, the human psyche, and nature’s fragility. O Monolith featured a more nuanced, mature sound, with Squid experimenting further with ambient textures, intricate arrangements, and even more elaborate storytelling. Tracks like “Swing (In a Dream)” and “Siphon Song” explore existential themes through surreal, haunting lyrics, while the music itself oscillates between moments of quiet introspection and bursts of intense, layered sound.
In O Monolith, the band drew more overtly on their influences from jazz and electronic music, with compositions that felt more sculpted and less frenetic than previous work. The album displayed a different side of Squid, one that was contemplative and sometimes unsettling, revealing a desire to explore the boundaries of their sound even further. The resulting work was both ambitious and immersive, cementing Squid’s status as one of the most fearless and forward-thinking bands in contemporary music.
Industry Perspective
Challenges and Triumphs
Squid’s journey has not been without its share of challenges. Breaking into the music industry as an experimental band with a nonconformist style meant navigating a landscape often biased toward more mainstream sounds. Squid’s unusual combination of motorik rhythms, jazz-inspired improvisation, and sprawling, unpredictable song structures initially made them a niche act, and their heavy reliance on complex live arrangements required a significant investment of time and energy in rehearsals and performance planning.
Another challenge has been preserving the band’s raw, spontaneous sound in recorded form. Squid’s music thrives on live energy, and translating that frenetic intensity to studio albums has posed creative difficulties. The band has consistently chosen to work with producer Dan Carey, whose “one-take” approach and affinity for raw, unpolished production have helped Squid retain that signature urgency even in the studio. Through persistence and dedication to their unique style, they’ve gained a loyal following and critical respect, proving that authenticity and risk-taking can still carve out space in today’s music industry.
Collaborations and Connections
Squid’s collaborations have been essential in shaping their sound and approach to music. Producer Dan Carey has been a close collaborator since their earliest releases. Known for working with other British experimental acts like Black Midi and Fontaines D.C., Carey shares Squid’s love for pushing boundaries, helping them experiment with soundscapes, effects, and unconventional recording techniques. Carey’s Speedy Wunderground label also played a pivotal role in launching Squid’s career, releasing their early work and connecting them with a like-minded community of artists committed to innovation over convention.
Beyond Carey, Squid has cultivated relationships with other acts in the UK’s post-punk and experimental rock scenes, forming a loose collective with bands like Black Midi, Shame, and Goat Girl. Together, these bands have pioneered a new wave of British post-punk, often playing shows together and supporting one another’s projects. This community provides an essential support system, encouraging Squid’s bold experimentation and offering a collaborative energy that feeds back into their creative process. Their connection to the Speedy Wunderground label and involvement in the UK post-punk scene has cemented Squid as part of an important musical movement that values artistic exploration over commercial viability.
Recognition and Achievements
Squid has earned considerable recognition for their innovative work. Their debut album, Bright Green Field, was met with widespread critical acclaim, praised by publications like The Guardian, Pitchfork, and NME, which hailed it as one of the most ambitious releases of 2021. The album’s success led to a nomination for the prestigious Mercury Prize, one of the UK’s highest honors for musical artistry, placing Squid in the company of British heavyweights.
Additionally, Bright Green Field reached number four on the UK Albums Chart, a notable achievement for an experimental band on an independent label. The album’s impact extended beyond the UK, attracting international attention and expanding their fanbase across Europe and North America. Their follow-up, O Monolith, released in 2023, continued to receive praise for its atmospheric complexity and mature sound, further establishing Squid as one of the most inventive bands of their generation.
Impact and Legacy
Cultural Significance
Since their debut, Squid has left an indelible mark on the modern post-punk and experimental music scenes. Their fearless approach to blending genres—from krautrock and punk to jazz and electronic—has pushed the boundaries of post-punk, introducing a new generation to the possibilities of genre-blurring, avant-garde music. Alongside acts like Black Midi, Shame, and Black Country, New Road, Squid is at the forefront of a British post-punk renaissance, reviving the genre with a fresh perspective that leans into complex themes of modern discontent, urban life, and existential dread. Their willingness to dive into heavy social commentary, coupled with their unpredictable soundscapes, has positioned them as one of the boldest voices in British alternative music.
Squid’s impact also extends into the indie music industry itself, where they have helped revitalize the idea that experimental music can thrive commercially without sacrificing artistic integrity. By remaining aligned with indie labels and production teams who value authenticity over polished perfection, they’ve become a model for other bands looking to make a mark on their own terms. Squid has, in a sense, redefined what it means to be “post-punk” in the 21st century, widening the genre’s influence and encouraging other young artists to experiment freely.
Fanbase and Community
Squid’s fans are as passionate as the band itself, and the relationship between Squid and their audience is one of mutual respect and shared enthusiasm for artistic exploration. Their fanbase, often consisting of listeners who are drawn to the unconventional, values Squid’s commitment to pushing boundaries and breaking from mainstream trends. This community is not only engaged in the music but also in the themes Squid explores, often engaging in online discussions about the band’s lyrical explorations of technology, capitalism, and mental health. Live shows are a central part of Squid’s bond with fans, as their performances bring a new, unpredictable energy to each song, often featuring extended improvisational sections and variations that make every show a unique experience.
The band’s presence in the UK’s post-punk scene also makes them part of a broader community of like-minded artists and fans who see themselves as participating in a musical movement that challenges conventional norms. This scene, centered around venues, independent labels, and even online spaces, fosters a collaborative and supportive environment that fuels Squid’s creativity. Fans appreciate Squid not only for their music but for their commitment to this alternative music scene, seeing the band as an essential part of a collective pushing modern music forward.
Looking Forward
Looking to the future, Squid shows every sign of continuing to evolve and push their sound into new territories. Their latest album, O Monolith, indicates a growing interest in deeper, atmospheric compositions, hinting that the band may continue exploring more intricate, perhaps even ambient, textures in their work. Squid has consistently shown a willingness to embrace risk, and as they grow, it’s likely they’ll keep venturing into unfamiliar sonic landscapes—perhaps incorporating new instruments, collaborating with other experimental artists, or even reimagining their sound entirely.
As they progress, Squid has the potential to establish a legacy as one of the defining bands of their generation, paving the way for future artists who feel constrained by traditional genre lines. Their influence on younger bands and the broader post-punk community could be long-lasting, inspiring other artists to balance thought-provoking content with adventurous, genre-bending sounds. Should they continue along their current trajectory, Squid may not only solidify their place in post-punk history but also create a legacy as fearless experimenters and pioneers, remembered for breaking boundaries and capturing the pulse of a generation.